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Narratives of judgement: representations of \u27privileged\u27 Jews in Holocaust documentaries

机译:审判叙事:大屠杀纪录片中\ u27特权\ u27犹太人的表现

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摘要

Auschwitz survivor Primo Levi’s highly influential essay, “The Grey Zone”, explores the taboo issue of “privileged” Jews, those prisoners who were forced to cooperate with their Nazi captors in order to prolong their lives or the lives of their families. Levi argues that moral evaluations of privileged Jews should be suspended; however, judgements of these liminal figures have permeated representations of victims’ experiences. Taking Levi’s reflections on the “grey zone” as a point of departure, I analyse the ways in which a number of Holocaust documentary narratives construct problematic judgements of privileged Jews; nonetheless, it will be shown that some films engage with the issue in a nuanced manner. While Levi singles out the medium of film as particularly predisposed to simplistic judgements, I argue that documentary film has considerable potential to offer a complex representation of the extreme ethical dilemmas that privileged Jews faced.
机译:奥斯威辛幸存者普里莫·列维(Primo Levi)极具影响力的文章“灰色地带”探讨了“特权”犹太人的禁忌问题,这些犹太人被迫与纳粹俘虏合作以延长其生命或家人的生命。列维认为对特权犹太人的道德评价应该暂停。然而,对这些门槛人物的判断已经渗透到受害者的经历中。以李维斯(Levi)对“灰色地带”的思考为出发点,我分析了许多大屠杀纪实叙事如何构成对特权犹太人的有争议的判断。尽管如此,将显示一些电影以细微的方式处理了该问题。列维(Levi)指出电影的媒介特别倾向于过分简单的判断,但我认为纪录片具有很大的潜力,可以复杂地表现犹太人所享有的极端道德困境。

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    Brown, Adam;

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  • 年度 2014
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  • 正文语种 eng
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